Finding Genesis

•September 22, 2008 • Leave a Comment

COLLEGE PAPER SERIES. Submitted in English 10 as reaction paper to 100 Years of Solitude of Marquez.

And I suddenly realized that Marquez was actually using events in the Genesis in his novel 100 Years of Solitude.  And that’s what a literature in magic realism mode is all about: telling about a concrete reality with usage of its opposite or contradiction.  Looking closely, we will see that the novel talks about the rise and fall of Macondo, just like in Genesis which talks about the very beginning of humanity and their several fall because of sin.

The first imitation of Genesis is Ursula and Jose Arcadio Buendia being the Adam and Eve of the town.  They latter had two sons and a daughter: Cain and Abel, and Seth, as the other had Jose Arcadio (II) and Aureliano, and Amaranta. (Gen. 2: 4- 5: 32)
The plague of rains causing the town to be in ruins is like the great flood that Noah conquered. (Gen. 6: 1- 9: 12) 

 Buendia facing the firing squad and was saved in the lass minute is similar to Isaac almost to be sacrificed. (Gen. 22:1- 12)

The twins Aureliano Segundo and Jose Arcadio Segundo is like Jacob and Esau, sons of Isaac. (Gen. 25: 23) 

 In the bible, we see Isaac being rich after planting crops (agriculture) while we have Aureliano Segundo becoming rich out of livestock.  Having multiple sons is demonstrated by Jacob in the bible, having married to four women (Leah, Rachel, Bilhah, Zipah) (Gen. 32: 22- 30); while Col. Buendia had 17 sons from 17 women.

We could also see the importance of burial in 100 Years of Solitude after Melquiades dies.  In the bible, we see Joseph bringing his father’s bones to the land of his fathers, and when he died, he asked his bones to be brought someplace. (Gen. 50: 7; 50: 25)
Corruption in the government or abuse of power (as seen in the novel as by Moscote ordering all houses to be painted blue) could be related to Joseph taking everything from the people when he was in authority. (Gen. 47: 13- 26)

The ending of Macondo being wiped out by a cyclone is like the destruction of the Tower of Babylon. (Gen. 11: 1- 8)

And, the only factor left is the presence of God.  In the Genesis, God has been making contact to His people throughout their journey.  And as we know, all is God’s plan.  It is similar to Melquiades appearing several times throughout the story having immortality or as a ghost.  He even wrote a prophecy which in the end will tell us that he knew what will happen to the Buendia clan, as well as Macondo.  The people, both in bible and  the novel, is living under the plan.

100 Years of Solitude is like the Book of Genesis in several ways, as presented.  At the same time, it tells of things that are ignored in the bible.  For example, how did Cain, Abel, and Seth (next generation after Adam and Eve) continued their clan?  The concept of incest is portrayed in the story a lot of times.  Well, Jose Arcadio and Aureliano had to bore a son to the same girl, Pilar Ternera.  Could this be Garcia’s way of answering how Cain and Abel had children? With their sister Seth?

It is obvious that the cast of the story tend to be in solitude, alone.  It’s like the clan is destined to be alone because of their actions and as well as other people’s actions.  But note that in the Genesis, God said, “It is not good for man to be alone.” (Gen. 2: 18) and so He created the woman to assist the man.  Supporting this idea, we notice that men dominated the casting of the novel.

Plus, could the story be Garcia’s way of telling about human errors affecting the rest of mankind?  What follows the Book of Genesis is the Book of Exodus and it is now about the Israelites’ fall, slave under the Egyptians.  If 100 Years of Solitude is equivalent to Genesis, then, it must also be talking about the humans, having the possibility to lose their prestige after committing mistakes (negative events narrated in the story).

From here, we could now see that 100 Years of Solitude is more than a novel.  It is a concrete example of magic realism since it wrote about the Genesis (Religion) and adding elements of magic.  At the same time, it represents events in our reality using that kind of narration.

(the untitled poem) ver 2

•September 20, 2008 • Leave a Comment

The moment I touch your chest,
your steady, chiseled chest,
we defy law.
As I snake my hands
down to your navel,
we recall the teachings of our master;
Still we won’t stop.

I lick
Warm shoulders, curved arms
Your body rises.
You are delighted,
so I am.

I drive my tongue to your smooth neck
Scent of innocent flesh
Your chin’s tiny hairs
Thrill my face,
as I bring my lips to yours
My mouth against yours,
My tongue invade your lips,
I can taste you,
or is it mine,
With this, we’re one

I feel you stand
I can feel it against mine
Angry soldiers entwined
Suddenly captured by my hand
And you, the other country,
captures mine too

You moan, music, in this quiet sinful night
We never knew it is like this
An indulgence
You kiss me more
I bite your lips, gently
I can feel your breath now.

Soldiers trembling
My veins shaking
I know what is coming
It will come
You know what is coming
It will come
We know what is coming
It will come

The essence          flow          forth

In that moment
I suddenly died
Touched heaven for a while
Just a second,
My existence echoed
We are both angels
There is no gender
Just I am.

Then I am snatched back
And I see your face
Your handsome, smiling face
I lie beside you,
It is your turn to touch me,
Lock me inside your arms

Now I close my eyes, and sleep
As the night regains its darkness

Ang Munting Prinsipe sa EDSA

•September 18, 2008 • Leave a Comment

Sana hindi na lumaki ang prinsipe
Sana sa kanyang planeta doon nanatili
Sana nakuntento na lang siya
     Sa isang rosas na tinik ay dalawa
Nang hindi na siya natusok ng pangil
     ng mga ahas na nakapaligid sa kanya

Palakad- lakad ang prinsipe sa EDSA
Gulat na gulat sa taong dagsa
Hindi lang bulkan ang umuusok sa kalsada
Pati mga sasakyang mahigip siya’y muntik na

Nakaranas ng gutom ang prinsipe
Hindi niya nadama sa kanyang planeta
Lumapit siya sa mamang kamukha
     Ng negosyanteng hindi napansin na sigarilyo’s ubos na
“Wala akong pera,” sagot ng mama,
Sabay punta sa tindahan at bumili ng isa pa.

Sunod siyang lumapit sa lalaking nakaupo sa lugawan
Hinigop ng lalaki ang kalahati ng lugaw
At inabot sa prinsipe
Hinigop ng prinsipe ang kalahati ng lugaw
Ngunit ito’y kulang, siya’y gutom pa

Sa gilid ng tulay siya naupo
Sa tabi niya’y naglaglag sa basong plastik
     ng barya ang babaeng maganda
Kinuha ng prinsipe ang pera
Pinagmasdan
Nilagyan ng tubig galing sa balon at ininom.

Sa malayo siya’y may nakitang maganda
Sa paglalakad ay nakasalubong,
Isang maitim na batang payat
At tinanong siya, “Bago ka rito?”
“Oo.  Galing ako sa ibang planeta.
Kakaiba ang planeta niyo.”
“Bangag ka na?  Kung meron ka pang rugby, penge naman ako.”
“Wala ako nun.”
“Ah, baliw kang pinanganak, gaya ng lahat ng tao.”
“Hindi kita maintindihan.”
“Kung ayaw mong magutom, mauhaw, malungkot,
Bumalik ka sa akin.  Bibigyan kita ng rugby.
Ibabalik ka nito sa planeta mo.  Lagpas pa.”

Nakarating ang munting prinsipe sa isang hardin
At duon nakakita ng isandaang rosas
Nalungkot dahil kanyang nalaman
Na ang rosas niya sa planeta
Dito ay laksa laksa

“Mas maganda kami kesa sa rosas mo
Mas mabango at mas kaaki-akit.”
“Marahil marami ngang rosas dito.
Marami na rin ang umusbong at nalanta
Espesyal ang rosas ko
dahil mahal ko siya.
Kahit lagi niya akong natitinik
At hindi ko alam kung isang araw
Siya’y magpapatangay sa hangin
Lalasapin ko na lang ang bango na kanyang dulot
Hanggang kelan man niya naisin.”

Nung oras na iyon tinawag siya ng asong kalye
“Amuhin mo ako.”
“Nagugutom ako, wala akong lakas.”
“Nagugutom din ako, kaya nga kita tinawag.”
“Ngunit wala akong mabibigay.”
“Meron.  Walang bayad ang hinihingi ko.
Yung kailangan ng lahat ng nilalang sa mundo.”

Bumalik ang munting prinsipe sa batang maitim
At hiningi ang supot ng rugby.
Bumalik ang munting prinsipe sa asong kalye
At inabot ang supot ng rugby.

Ngayon kailangan na bumalik ng prinsipe
Ilang taon na rin ang nakalipas.
Sana hindi lumaki ang prinsipe
May bigote na siya, at balbas
Pinilit niyang hindi lumaki
Pero hindi mo mapipigilan ang oras
Marami siyang narating
Marami siyang nalaman.
At dahil duon, nagnasa siya ng bagay
Kinailangan niya.
Hindi sinasadyang hindi siya nakuntento
Naghanap ng iba.  Kailangan maranasan ang iba
     dahil ang meron siya ngayon ay hindi sapat.
Nangako siya sa mga tao sa kalye
At hindi natupad dahil hindi niya kaya.
Tao lang kasi siya.
Katulad ng mga tao sa kalye.
Sana nakuntento na lang siya
     sa isang rosas sa kanyang planeta
Para hindi na siya matinik ng kung sinu- sino.
Mas payapa masaktan ng mahal mo kaysa ng katabi mo sa bus
Ngayon kailangan na bumalik ng prinsipe
Kailangan na magpatangay sa hangin
Gaya ng lahat, humahalo sa hangin.